Special issue: Embodiment in music
Guest editors: Andrea Schiavio and Nikki Moran
Special Issue Articles
- Embodiment in the history of depth perception, Don Oxtoby
- Kant’s situated approach to musicking and joking, Alexander Jakobidze-Gitman
- Music listening as adaptive behaviour: Enaction meets neuroscience, Mark Reybrouck
- Empathetic embodiment in the compositional process: A 4E perspective on the relationship between composer and performer, Michael Boyle
- Score-dependency: Over-reliance on performing music from notation reduces aural pitch replication skills, Christopher Corcoran and Neta Spiro
- Embodying music theory: A performative approach, Shannon Burns
- Playing without mental representations: Embodied navigation and the GesTCom as a case study for radical embodied cognition in piano performance, Pavlos Antoniadis and Anthony Chemero