Special volume: Musical structure
Guest editors: Costas Tsougras & Makis Solomos
Publication dates: print version: 13 May 2009, online version: 10 May 2009
Revised selected papers from the 4th Conference on Interdisciplinary Musicology (CIM08) held in Thessaloniki, Greece, July 2008
- Cover
- Editorial, Richard Parncutt and Ali C. Gedik
- Foreword, Costas Tsougras and Makis Solomos
- Table Of Contents
- Official Info
- Advisory Board
- Editorial Board
Articles
- A cross-cultural comparative study of the role of musical structural features in the perception of emotion in Greek traditional music, Kyriaki Zacharopoulou and Athanasia Kyriakidou
- Perception of intrinsic formal functionality: An empirical investigation of Mozart’s materials, Michel Vallières, Daphne Tan, William E. Caplin, Stephen McAdams
- Tonal hierarchies in Sutartinės, Rytis Ambrazevičius and Irena Wiśniewska
- Audible ecosystems and emergent sound structures in Di Scipio’s music: Music philosophy helps musical analysis, Renaud Meric and Makis Solomos
- Inter-structures: Rethinking continuity in post-1945 piano repertoire, Danae Stefanou and Pavlos Antoniadis
- W. A. Mozart’s Phantasie in C minor, K. 475: The pillars of musical structure and emotional response, Tijana Popović Mladjenović, Blanka Bogunović,Marija Masnikosa and Ivana Perković Radak
- Auditory streams in Ligeti’s Continuum: A theoretical and perceptual approach, Emilios Cambouropoulos and Costas Tsougras
- Analytical representations of creative processes in Michael Finnissy’s Second String Quartet, Amanda Bayley and Michael Clarke