Issue 1 (spring 2010)
publication dates: print version: 30 May 2010, online version: 29 May 2010
Articles
- A comparative analysis of Eurasian folksong corpora, using self organising maps, Zoltán Juhász and János Sipos
- Collaboration perspectives for folk song research and music information retrieval: The indispensable role of computational musicology, Peter van Kranenburg, Jörg Garbers, Anja Volk, Frans Wiering, Louis P. Grijp, and Remco C. Veltkamp
- Musical listening and abductive reasoning. Contributions of C. S. Peirce’s philosophy to the understanding of musical meaning, Luis Felipe Oliveira, Willem F.G. Haselager, Jônatas Manzolli and Maria Eunice Q. Gonzalez
- Parataxis. A framework of structure analysis for instrumental folk music, Haris Sarris, Tassos Kolydas and Panagiotis Tzevelekos
Issue 2 (fall 2010)
Special issue: Instruments in context
Guest editors: Neville Fletcher and David Howard
Articles
- Imitations of bells: Correspondence between bell acoustics and onomatopoeic texts, Rytis Ambrazevičius and Renata Balsienė
- The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments, Sean Ferguson and Marcelo M. Wanderley
- The electric guitar: an augmented instrument and a tool for musical composition, Otso Lahdeoja, Benoit Navarret, Santiago Quintans and Anne Sedes (Audio)
- Theatrical expressivity of Berio’s Sequenza for viola: Levels of communication, Blanka Bogunović , Tijana Popović Mladjenović and Ivana Perković
- Instrument in interaction with pitch: content of selected works by Brahms, Saint-Saens, Hindemith, and Shostakovich, Kerri Kotta and Jonne Kotta
- Investigating instrumental repertoire following the technique of parataxis: A case study, Haris Sarris, Tassos Kolydas and Michalis Kostakis
- Drawing a parallel between the gaida (bagpipe) and the Zonaradikos line dance through statistics, Haris Sarris, Angelos Velegrakis and Tassos Kolydas (Audio)