Special issue: Cognition of early polyphony: Bringing together humanities and sciences

Guest editors: Frans Wiering, Barbara Tillmann

Revised selected papers from the European Science Foundation Exploratory Workshop held in Graz, Austria, 12-15 April 2012

• Cover
• Editorial
• Foreword, Frans Wiering, Barbara Tillmann
• Table of Contents
• Editorial Board

Special issue articles

• The background and topic of the workshop, Rudolf Flotzinger
• Cognition, early poylphony, and interdisciplinary musicology, Eleanor Selfridge-Field
• Effects of learning on dissonance judgments, Diana Omigie, Delphine Dellacherie, and Séverine Samson

Open peer commentary: here

• Dissonance/roughness and tonality perception in Lithuanian traditional
  Schwebungsdiaphonie, Rytis Ambrazevičius

Open peer commentary: here

• Contratenor parts in polyphonic songs from the late Trecento (Italy, ca. 1400): Challenges for concepts of polyphony and improvisation, Signe Rotter-Broman

Open peer commentary: here

• Music perception in historical audiences: Towards predictive models of music perception in historical audiences, Marcus T. Pearce and Tuomas Eerola

Open peer commentar: here

• Building an authentic listener: Applying a passive exposure-based training paradigm to detecting differences among compositional styles, Frauke Jürgensen, David G. Pearson, and Ian Knopke

Regular article

• Perception of Vicentino’s 31-tone tuning system, Stephen McAdams, Mikaela Miller, Jonathan Wild and Bruno L. Giordano